Cameron
Kostopoulos
Award-winning immersive storyteller building worlds you don’t just watch — you live inside them.
Experiences that put you inside the story.
In the Current of Being ↗
Through haptic vests, sleeves, and gloves, you feel the heartbeat, breath, and tremors of Carolyn Mercer — a survivor of electroshock conversion therapy. A story told not through a screen, but through touch.
Body of Mine ↗
A full-body VR experience that places you inside the body of another gender, where your own movement unlocks the real stories of transgender people. “Breaks through a psychological barrier that few pieces of media ever have.” — WIRED
Fun fact: Margot Robbie told me I was the best dressed in the room the night I received the Producers Guild Innovation Award.
don’t you wonder? ↗
Fifty thousand years from now, two androids find an uninhabitable Earth and contemplate the meaning of life, religion, and human conquest. A solo-built film made entirely in a game engine.
Anti-Venom for a Snake ↗
1993, East Village. When a provocateur drag queen loses her soulmate to AIDS, she fights to save her home and her legacy.
Until Death Do Us Part ↗
In a final act of love, a man turns his dead wife’s body into a piano — to play their wedding march one last time and bring her back from the dead.
A Mother’s Soliloquy ↗
A recovering alcoholic makes a moral inventory to reconnect with her estranged son — told without dialogue, through contemporary dance and a nonlinear narrative.
Little Red Lie ↗
Two boyfriends weigh the moral pros and cons of lying about their sexuality in order to donate blood — a sharp little dark comedy.
re… ↗
A collection of the past — a portrait of memory, a longing for a place distanced by time — rebuilt from photogrammetric scans of family and home.
Elastic ↗
With the help of a rubber band, a closeted Catholic boy tries to force himself to want what he’s supposed to.
Pieces ↗
An experimental short — fragments of a self, reassembled.
Of Skin and Plastic ↗
A man, grieving the love of his life, turns his need for human affection toward the artificial.
In the Light ↗
“The real tragedy of life is when men are afraid of the light.” A boy must overcome his — Cameron’s USC film supplement.
Storytelling that changes lives, measurably.
“Immersive storytelling isn’t just about entertainment — it’s about making the world a better place.”
Now building Fermata.
Cameron is the Founder & CEO of Fermata — a studio building a new kind of story, one you live inside, where you’re the star.
He came to it as a filmmaker. A BFA in Film & Television Production from USC (Summa Cum Laude) and an MA in Narrative & Emerging Media gave him the storytelling craft he now brings to a new medium — where the tools are AI and real-time game engines, but the goal is unchanged: make an audience feel something true.
Visit Fermata→Teaching the tools I build with.
Unreal Engine mentor for the Unreal Engine Fellowships — guiding emerging artists through the Worldbuilding and Animation cohorts in real-time production.
Co-sponsor of the Los Angeles Unreal Engine Community meetup, alongside CG Pro.